（U2乐队主唱Bono在哈佛大学毕业典礼上的演说）

"I am rebelling against the idea that the world is the way the world is, and there"s not a damned thing I can do about it."

Thank you. Thank you. Thank you for that introduction. First, I should say a few words about who I am and what on earth I"m doing up here.

My name is Bono, and I am a rock star. I tell you this not as a boast but more as a kind of confession¹. Because in my view the only thing worse than a rock star is a rock star with a conscience, a celebrity² with a cause -- oh, dear; oh, dear. But worse yet is a singer with a conscience, a placard-waving, knee-jerking, fellow-traveling activist³ with a Lexus and a swimming pool shaped like his head. I'm a singer. You know what a singer is. A singer is someone with a hole in his heart almost as big as the size of his ego⁴. When you need 20,000 people screaming your name in order to feel good about your day, you know you're a singer.

I'm a singer. I'm a songwriter. I'm also a father four times over -- just last week. I am a friend to God, a sworn enemy of the saccharine⁵ and a believer in grace over karma. I talk too much when I"m drunk and sometimes even when I am not. I am not drunk right now. These are not sunglasses; these are protection. But I must tell you that I owe more than my spoiled lifestyle to rock music -- I owe my worldview. Music was like an alarm clock for me as a teenager and still keeps me awake from falling asleep in the comforts of my freedom. Rock music to me is rebel music. But rebelling against what? In the 50"s it was ***ual mores⁷ and double standards. In the 60"s it was the Vietnam War and racial and social inequality. What are we rebelling against now? If I am honest, I"m rebelling against my own indifference⁸. I am rebelling against the idea that the world is the way the world is and there"s not a damned thing I can do about it. So I"m trying to do a damned thing. But fighting my indifference is my own problem.

What's your problem? What's the hole in your heart. I need the noise, the applause. You needed the grades.

Why are you hear in Harvard Square? Why do you have to listen to me? What have you given up to get here? Is success your drug of choice? Or are you driven by another curiosity? Your potential. The potential of a given situation. Is missing the moment unacceptable to you? Is wasting inspiration a crime to you? It is for the musician. If this is where we find our lives rhyme, if this is our common ground, well, then, I can be inspired as well as humbled⁹ to be on this great campus because that's where I come from -- music.But I"ve seen the other side of music -- the business. I've seen success as a drug of choice. I"ve seen great minds and prolific¹⁰ imaginations disappear up their own ass⁶, strung-out on their own self-importance. I'm one of them. I've seen the misery¹¹ of having it all your own way, the loneliness of sitting at a table where everybody works for you; the emptiness of arriving at Aspen on a Gulf¹² stream to stay in your winter -- oh, hold on; that"s a different speech.

You know what I'm talking about. But you've got to keep asking yourself, "Why are you doing this?" You've gotta keep checking your motives¹³.

Success for my group, U2, has been a lot easier to conjure¹⁴ than, say, relevance¹⁵ -- relevance in the world, relevance in the culture. That's difficult. And, of course, failure is not such a bad thing. It's not a word that many of you know. I'm sure its what you fear the most, actually. But from an artist's point of view, failure is going to get your best material. Let me tell you a few things you haven't heard about me, even on the Internet. Let me tell you how I enrolled¹⁶ at Harvard and slept with an economic professor. That's right. I became a student at Harvard recently, and I came to work with Professor Jeffrey Sachs at CID [Center for International Development] to study the lack of development -- the lack of development in third-world economies due to the crushing weight of old debts those economies were carrying for generations.

You see it turns out that the normal rules of bankruptcy¹⁷ don't apply to sovereign states.

It would be harder for you to get a student loan than it was for the likes of President Mobutu to stream billions of dollars into his Swiss bank account while his [Congolese] people starved on the side of the road. Two generations later, the Congolese are still paying. The debts of the fathers are now the debts of the sons and the daughters. So here I was, representing a group that believed all such debts should be cancelled in the year 2000. We called it Jubilee¹⁸ 2000. A fresh start for a new millennium¹⁹. It was headed up by Anne Pettifor based out of London -- with huge support from Africa and the [unintelligible]. With Muhammad Ali, Sir Bob Geldof, and myself acting²⁰, at first, just as mouthpieces. It was taking off. But we were way behind in the U.S.

We had the melody line, so to speak. But in order to get it on the radio over here, we needed a lot of help.

My friend Bobby Shriver suggested I knock on the good professor's door. And a funny thing happened. Jeffrey Sachs not only let me into his office, he let me into his Rolodex, his head, and his life for the last few years. So in a sense he let me into your life, here at Harvard. A student, Bono, again -- I was three weeks in a college before this, all right? So then Sachs and I, with my friend Bobby Shriver, hit the road like some sort of surreal crossover act. A rock star, a Kennedy, a noted²¹ economist²² crisscrossing the globe like the Partridge Family on psychotropic drugs. We had the Pope acting as our kind of agent. We had the blessing²³ of various rabbis, evangelists, mothers unions, trade unions and PTAs.

It was a new level of "unhip" for me, but it was very cool. It was in that capacity that I slept with Jeff Sachs, each of us in our own seat on an economy flight to somewhere, passed out like a couple of drunks, but from sheer exhaustion²⁴. It was confusing for everyone. I looked up with one eye to see your hero, stubble in all the wrong places, his tie looking like a headband. An airhostess asked if he were a member of the Grateful Dead. (It's more of a mop-top situation today.) Anyway, I have enormous respect for Jeff Sachs, but it's really true what they say: "Students should never sleep with their professors." So while I"m handing out trade secrets, I also want to tell you that Larry Summers, your incoming President, the man whose signature is on every American dollar -- well, he too is a nutcase -- and a freak.

U2 made it big out of Boston -- not New York, not LA.

So I thought if anyone would know about our existence it would be a Treasury²⁵ Secretary from Harvard. No. When I said I was from U2 he had a flashback from Cuba, 1962. How can I put this? And don"t hold it against him -- Mr. Summers is, as former President Clinton confirmed to me last week in Dublin, "culturally challenged."But when I asked him to look up from "the numbers" to see what we were talking about, he did more than that. He did the hardest thing of all for an Economist; he saw through the numbers. And if it was hard for me to enlist²⁶ Larry Summers in our efforts, imagine how hard it was for Larry Summers to get the rest of Washington to cough up the cash -- to really make a difference for the third of the world that lives on less than a dollar a day. Well he more than tried. He was passionate²⁷. He turned up in the offices of his adversaries²⁸. He turned up in restaurants with me, a rock star, to meet the concerns of his Republican counterparts...counterparts...contra-parts...?

There is a posh restaurant in Washington where they will not let us in now. Such was the heat of his debate -- blood on the walls, wine in the vinegar.

If you're called up before the new President of Harvard and he gives you a hairy eyeball, drums his fingers, and generally acts disinterested²⁹, let me tell you it could be the beginning of a great adventure for you. (It's a good thing I got here before President Rudenstine hands over the -- uh, anyway...)It is at this point I have to ask -- if your families haven't already -- why am I telling you these stories? It's certainly not because I'm running for role model. I'm telling you these stories because all the fun I had with Jeffrey Sachs and Larry Summers was in the service of something deadly serious. When people around the world hear about the burden of debt that crushes the poorest countries, when they hear that for every dollar of government aid we send to developing nations, nine dollars comes back to us in debt service payments -- did you hear that? For every one dollar in government aid we send to these nations, we receive nine in debt service payments -- when people hear that, they get angry.