After thirty years of married happiness, he could still remind himself that Victoria was endowed with every charm except the thrilling touch of human 
frailty(虚弱,弱点). Though her perfection discouraged pleasures, especially the pleasures of love, he had learned in time to feel the pride of a husband in her natural 
frigidity(冷淡,寒冷). For he still clung, amid the decay of moral 
platitudes1(陈词滥调,平凡), to the 
discredited2 ideal of 
chivalry3. In his youth the world was 
suffused4 with the after-glow of the long Victorian age, and a 
graceful5 feminine style had 
softened6 the manners, if not the natures, of men. At the end of that interesting 
epoch7, when womanhood was 
exalted8 from a biological factsintosa 
miraculous9 power, Virginius Littlepage, the younger son of an old and 
affluent10 family, had married Victoria Brooke, the grand-daughter of a tobacco planter, who had made a satisfactory fortune by 
forsaking11 his 
plantation12 and converting tobaccos into cigarettes. While Virginius had been trained by stern tradition to respect every woman who had not stooped to 
folly13, the 
virtue14 peculiar15 to her sex was among the least of his reasons for admiring Victoria. She was not only modest, which was usual in the nineties, but she was beautiful, which is unusual in any decade.
 
In the beginning of their acquaintance he had gone even further and ascribed intellect to her; but a few months of marriage had shown this to be merely one of the many 
delusions16 created by perfect features and noble expression. Everything about her had been smooth and definite, even the tones of her voice and the way her light brown hair, which she wore a la Pompadour, was rolled stiffly back from her forehead and coiled in a 
burnished17(铮亮的,光洁的) rope on the top of her head.
 
A serious young man, ambitious to 
attain18 a place in the world more brilliant than the 
secluded19(隐蔽的) seat of his ancestors, he had been impressed at their first meeting by the compactness and precision of Victoria's orderly mind. For in that earnest period the minds, as well as the emotions, of lovers were orderly. It was an age when eager young men flocked to church on Sunday morning, and 
eloquent20 divines 
discoursed21 upon the Victorian poets in the middle of the week. He could afford to smile now when he recalled the solemn Browning class in which he had first lost his heart. How 
passionately22 he had admired Victoria's virginal features! How 
fervently23 he had envied her competent but 
caressing24 way with the poet!
 
Incredible as it seemed to him now, he had fallen in love with her while she recited from the more 
ponderous25 passages in The Ring and the Book. He had fallen in love with her then, though he had never really enjoyed Browning, and it had been a relief to him when the Unseen, in company with its illustrious poet, had at last gone out of fashion. Yet, since he was disposed to admire all the qualities he did not possess, he had never ceased to respect the firmness with which Victoria continued to deal in other forms with the Absolute.
 
As the 
placid26 years passed, and she came to rely less upon her virginal features, it seemed to him that the ripe opinions of her youth began to shrink and 
flatten27 as fruit does that has hung too long on the tree. She had never changed, he realized, since he had first known her; she had become merely riper, softer, and sweeter in nature.
 
Her advantage rested where advantage never fails to rest, in moral fervour. To be invariably right was her single wifely failing. For his wife, he sighed, with the vague unrest of a husband whose infidelities are imaginary, was a genuinely good woman. She was as far removed from 
pretence28 as she was from the 
posturing29 virtues30 that flourish in the 
credulous31(轻信的) world of the drama. The pity of it was that even the least 
exacting32 husband should so often desire something more 
piquant33 than goodness.