Nine

THE EVIDENCE OF MR. HARDMAN

The last of the first-class passengers to be interviewed—Mr. Hardman—was the big flamboyantAmerican who had shared a table with the Italian and the valet.

He wore a somewhat loud check suit, a pink shirt, a flashy tiepin, and was rolling somethinground his tongue as he entered the dining car. He had a big, fleshy, coarse-featured face, with agood humoured expression.

“Morning, gentlemen,” he said. “What can I do for you?”

“You have heard of this murder, Mr.—er—Hardman?”

“Sure.”

He shifted the chewing gum deftly¹.

“We are of necessity interviewing all the passengers on the train.”

“That’s all right by me. Guess that’s the only way to tackle the job.”

Poirot consulted the passport lying in front of him.

“You are Cyrus Bethman Hardman, United States subject, forty-one years of age, travellingsalesman for typewriting ribbons?”

“O.K., that’s me.”

“You are travelling from Stamboul to Paris?”

“That’s so.”

“Reason?”

“Business.”

“Do you always travel first-class, Mr. Hardman?”

“Yes, sir. The firm pays my travelling expenses.”

He winked².

“Now, Mr. Hardman, we come to the events of last night.”

The American nodded.

“What can you tell us about the matter?”

“Exactly nothing at all.”

“Ah, that is a pity. Perhaps, Mr. Hardman, you will tell us exactly what you did last night, fromdinner onwards?”

For the first time the American did not seem ready with his reply. At last he said:

“Excuse me, gentlemen, but just who are you? Put me wise.”

“This is M. Bouc, a director of the Compagnie des Wagons³ Lits. This gentleman is the doctorwho examined the body.”

“And you yourself?”

“I am Hercule Poirot. I am engaged by the company to investigate this matter.”

“I’ve heard of you,” said Mr. Hardman. He reflected a minute or two longer. “Guess I’d bettercome clean.”

“It will certainly be advisable for you to tell us all you know,” said Poirot dryly.

“You’d have said a mouthful if there was anything I did know. But I don’t. I know nothing at all—just as I said. But I ought to know something. That’s what makes me sore. I ought to.”

“Please explain, Mr. Hardman.”

Mr. Hardman sighed, removed the chewing gum, and dived into a pocket. At the same time hiswhole personality seemed to undergo a change. He became less of a stage character and more of areal person. The resonant⁴ nasal tones of his voice became modified.

“That passport’s a bit of bluff,” he said. “That’s who I really am.”

Poirot scrutinized⁵ the card flipped⁶ across to him. M. Bouc peered over his shoulder.

Mr. CYRUS B. HARDMAN

McNeil’s Detective Agency,

NEW YORK.

Poirot knew the name. It was one of the best known and most reputable private detectiveagencies in New York.

“Now, Mr. Hardman,” he said. “Let us hear the meaning of this.”

“Sure. Things came about this way. I’d come over to Europe trailing a couple of crooks—nothing to do with this business. The chase ended in Stamboul. I wired the Chief and got hisinstructions to return, and I would have been making my tracks back to little old New York when Igot this.”

He pushed across a letter.

The heading at the top was the Tokatlian Hotel.

Dear Sir,—You have been pointed⁷ out to me as an operative of the McNeilDetective Agency. Kindly⁸ report to my suite⁹ at four o’clock this afternoon.

It was signed “S.E. Ratchett.”

“Eh bien?”

“I reported at the time stated and Mr. Ratchett put me wise to the situation. He showed me acouple of letters he’d got.”

“He was alarmed?”

“Pretended not to be, but he was rattled¹⁰ all right. He put up a proposition to me. I was to travelby the same train as he did to Parrus and see that nobody got him. Well, gentlemen, I did travel bythe same train and, in spite of me, somebody did get him. I certainly feel sore about it. It doesn’tlook any too good for me.”

“Did he give you any indication of the line you were to take?”

“Sure. He had it all taped out. It was his idea that I should travel in the compartment¹¹ alongsidehis—well, that was blown upon straight away. The only place I could get was berth¹² No. 16, and Ihad a bit of a job getting that. I guess the conductor likes to keep that compartment up his sleeve.

But that’s neither here nor there. When I looked all round the situation, it seemed to me that No.

16 was a pretty good strategic position. There was only the dining car in front of the Stamboulsleeping car, the door on to the platform at the front end was barred at night. The only way a thugcould come was through the rear end door to the platform or along the train from the rear—ineither case he’d have to pass right by my compartment.”

“You had no idea, I suppose, of the identity of the possible assailant.”

“Well, I knew what he looked like. Mr. Ratchett described him to me.”

“What?”

All three men leaned forward eagerly.

Hardman went on:

“A small man, dark, with a womanish kind of voice—that’s what the old man said. Said, too,that he didn’t think it would be the first night out. More likely the second or third.”

“He knew something,” said M. Bouc.

“He certainly knew more than he told his secretary,” said Poirot thoughtfully. “Did he tell youanything about this enemy of his? Did he, for instance, say why his life was threatened?”

“No, he was kinder reticent¹³ about that part of it. Just said the fellow was out for his blood andmeant to get it.”

“A small man—dark—with a womanish voice,” said Poirot thoughtfully.

Then, fixing a sharp glance on Hardman, he said:

“You knew who he really was, of course?”

“Which, mister?”

“Ratchett. You recognized him?”

“I don’t get you.”

“Ratchett was Cassetti, the Armstrong murderer.”

Mr. Hardman gave way to a prolonged whistle.

“That certainly is some surprise!” he said. “Yes, sir! No, I didn’t recognize him. I was away outWest when that case came on. I suppose I saw photos of him in the papers, but I wouldn’trecognize my own mother when a press photographer had done with her. Well, I don’t doubt that afew people had it in for Cassetti all right.”

“Do you know of anyone connected with the Armstrong case who answers to that description—small, dark, womanish voice?”

Hardman reflected a minute or two.

“It’s hard to say. Pretty nearly everyone to do with that case is dead.”

“There was the girl who threw herself out of the window, remember.”

“Sure. That’s a good point, that. She was a foreigner of some kind. Maybe she had some woprelations. But you’ve got to remember that there were other cases besides the Armstrong case.

Cassetti had been running this kidnapping stunt¹⁴ some time. You can’t concentrate on that only.”

“Ah, but we have reason to believe that this crime is connected with the Armstrong case.”

Mr. Hardman cocked an inquiring eye. Poirot did not respond. The American shook his head.

“I can’t call to mind anybody answering that description in the Armstrong case,” he said slowly.

“But of course I wasn’t in it and didn’t know much about it.”

“Well, continue your narrative¹⁵, M. Hardman.”

“There’s very little to tell. I got my sleep in the daytime and stayed awake on the watch at night.

Nothing suspicious happened the first night. Last night was the same, as far as I was concerned. Ihad my door a little ajar and watched. No stranger passed.”

“You are sure of that, M. Hardman?”

“I’m plumb¹⁶ certain. Nobody got on that train from outside and nobody came along the trainfrom the rear carriages. I’ll take my oath on that.”

“Could you see the conductor from your position?”

“Sure. He sits on that little seat almost flush with my door.”

“Did he leave that seat at all after the train stopped at Vincovci?”

“That was the last station? Why, yes, he answered a couple of bells—that would be just after thetrain came to a halt for good. Then, after that, he went past me into the rear coach—was thereabout a quarter of an hour. There was a bell ringing like mad and he came back running. I steppedout into the corridor to see what it was all about—felt a mite¹⁷ nervous, you understand—but it wasonly the American dame¹⁸. She was raising hell about something or other. I grinned. Then he wenton to another compartment and came back and got a bottle of mineral water for someone. Afterthat he settled down in his seat till he went up to the far end to make somebody’s bed up. I don’tthink he stirred after that until about five o’clock this morning.”

“Did he doze¹⁹ off at all?”

“That I can’t say. He may have done.”

Poirot nodded. Automatically his hands straightened the papers on the table. He picked up theofficial card once more.

“Be so good as just to initial this,” he said.

The other complied.

“There is no one, I suppose, who can confirm your story of your identity, M. Hardman?”

“On this train? Well, not exactly. Unless it might be young MacQueen. I know him well enough—seen him in his father’s office in New York—but that’s not to say he’ll remember me from acrowd of other operatives. No, Mr. Poirot, you’ll have to wait and cable New York when the snowlets up. But it’s O.K. I’m not telling the tale. Well, so long, gentlemen. Pleased to have met you,Mr. Poirot.”

Poirot proffered²⁰ his cigarette case.

“But perhaps you prefer a pipe?”

“Not me.”

He helped himself, then strode briskly off.

The three men looked at each other.

“You think he is genuine?” asked Dr. Constantine.

“Yes, yes. I know the type. Besides, it is a story that would be very easily disproved.”

“He has given us a piece of very interesting evidence,” said M. Bouc.

“Yes, indeed.”

“A small man, dark, with a high-pitched voice,” said M. Bouc thoughtfully.

“A description which applies to no one on the train,” said Poirot.

 

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