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NINE, TEN, A GOOD FAT HEN
I
As they came away from the inquest Japp said jubilantly to Poirot:
“A smart piece of work, that. Gave ’em a sensation!”
Poirot nodded.
“You tumbled to it first,” said Japp, “but, you know, I wasn’t happy about that body myself.
After all, you don’t go smashing a dead person’s face and head about for nothing. It’s messy,unpleasant work, and it was pretty plain there must be some reason for it. And there’s only onereason there could be—to confuse the identity.” He added generously: “But I shouldn’t havetumbled so quickly to the fact that it actually was the other woman.”
Poirot said with a smile:
“And yet, my friend, the actual descriptions of the women were not unlike as regardsfundamentals. Mrs. Chapman was a smart, good-looking woman, well made up and fashionablyturned out. Miss Sainsbury Seale was dowdy1 and innocent of lipstick2 or rouge3. But the essentialswere the same. Both were women of forty odd. Both were roughly about the same height andbuild. Both had hair turning grey which they touched up to make it appear golden.”
“Yes, of course, when you put it like that. One thing we’ve got to admit—the fair Mabelle put itover on both of us, good and proper. I’d have sworn she was the genuine article.”
“But, my friend, she was the genuine article. We know all about her past life.”
“We didn’t know she was capable of murder—and that’s what it looks like now. Sylvia didn’tmurder Mabelle. Mabelle murdered Sylvia.”
Hercule Poirot shook his head in a worried fashion. He still found it difficult to reconcileMabelle Sainsbury Seale with murder. Yet in his ears he heard the small, ironic4 voice of Mr.
Barnes:
“Look among the respectable people….”
Japp said with emphasis:
“I’m going to get to the bottom of this case, Poirot. That woman isn’t going to put it over onme.”
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