THERE was, once upon a time, a man and his wife fagot-makers2 by trade, who had several children, all boys. The eldest1 was but ten years old, and the youngest only seven.3
They were very poor, and their seven children4 incommoded them greatly, because not one of them was able to earn his bread. That which gave them yet more uneasiness was that the youngest was of a very puny2 constitution, and scarce ever spoke3 a word, which made them take that for stupidity which was a sign of good sense. He was very little, and when born no bigger than one's thumb, which made him be called Little Thumb.1
The poor child bore the blame of whatsoever4 was done amiss in the house, and, guilty or not, was always in the wrong;5 he was, notwithstanding, more cunning and had a far greater share of wisdom than all his brothers put together; and, if he spake little, he heard and thought the more.
There happened now to come a very bad year, and the famine was so great that these poor people resolved to rid themselves of their children. One evening, when they were all in bed and the fagot-maker was sitting with his wife at the fire, he said to her, with his heart ready to burst with grief:
"Thou seest plainly that we are not able to keep our children,6 and I cannot see them starve to death before my face; I am resolved to lose them in the wood7 to-morrow, which may very easily be done; for, while they are busy in tying up fagots, we may run away, and leave them, without their taking any notice."
"Ah!" cried his wife; "and canst thou thyself have the heart to take thy children out along with thee on purpose to lose them?"
In vain did her husband represent to her their extreme poverty: she would not consent to it; she was indeed poor, but she was their mother. However, having considered what a grief it would be to her to see them perish with hunger, she at last consented,8 and went to bed all in tears.
Little Thumb heard every word that had been spoken; for observing, as he lay in his bed, that they were talking very busily, he got up softly, and hid himself under his father's stool, that he might hear what they said without being seen. He went to bed again, but did not sleep a wink6 all the rest of the night, thinking on what he had to do. He got up early in the morning, and went to the river-side, where he filled his pockets full of small white pebbles7, and then returned home.
They all went abroad, but Little Thumb never told his brothers one syllable8 of what he knew. They went into a very thick forest, where they could not another at ten paces distance. The fagot-maker began to cut wood, and the children to gather up the sticks to make fagots. Their father and mother, seeing them busy at their work, got away from them insensibly, and ran away from them all at once, along a by-way through the winding9 bushes.
When the children saw they were left alone, they began to cry9 as loud as they could. Little Thumb let them cry on, knowing very well how to get home again, for, as he came, he took care to drop all along the way the little white pebbles he had in his pockets. Then he said to them:
"Be not afraid, brothers; father and mother have left us here, but I will lead you home again,10 only follow me."
They did so, and he brought them home by the very same way they came into the forest. They dared not go in, but sat themselves down at the door, listening to what their father and mother were saying.
The very moment the fagot-maker and his wife reached home the lord of the manor11 sent them ten crowns, which he had owed them a long while, and which they never expected. This gave them new life, for the poor people were almost famished12. The fagot-maker sent his wife immediately to the butcher's. As it was a long while since they had eaten a bit, she bought thrice as much meat as would sup two people. When they had eaten, the woman said:
"Alas13! where are now our poor children? they would make a good feast of what we have left here; but it was you, William, who had a mind to lose them: I told you we should repent14 of it. What are they now doing in the forest? Alas! dear God, the wolves11 have perhaps already eaten them up; thou art very inhuman15 thus to have lost thy children."
The fagot-maker grew at last quite out of patience, for she repeated it above twenty times, that they should repent of it, and that she was in the right of it for so saying. He threatened to beat her if she did not hold her tongue. It was not that the fagot-maker was not, perhaps, more vexed16 than his wife, but that she teased him, and that he was of the humor of a great many others, who love wives to speak well, but think those very importunate17 who are continually doing so.12 She was half-drowned in tears, crying out:
"Alas! where are now my children, my poor children?"
She spoke this so very loud that the children, who were at the gate, began to cry out all together:
"Here we are! Here we are!"
She ran immediately to open the door, and said, hugging them:
"I am glad to see you, my dear children; you are very hungry and weary; and my poor Peter, thou art horribly bemired; come in and let me clean thee."13
Now, you must know that Peter was her eldest son, whom she loved above all the rest, because he was somewhat carroty,14 as she herself was. They sat down to supper, and ate with such a good appetite as pleased both father and mother, whom they acquainted how frightened they were in the forest, speaking almost always all together. The good folks were extremely glad to see their children once more at home, and this joy continued while the ten crowns lasted; but, when the money was all gone, they fell again into their former uneasiness, and resolved to lose them again;15 and, that they might be the surer of doing it, to carry them to a much greater distance than before.
They could not talk of this so secretly but they were overheard by Little Thumb, who made account to get out of this difficulty as well as the former; but, though he got up very early in the morning to go and pick up some little pebbles, he was disappointed, for he found the house-door double-locked, and was at a stand what to do. When their father had given each of them a piece of bread for their breakfast, Little Thumb fancied he might make use of this instead of the pebbles by throwing it in little bits all along the way they should pass; and so he put the bread in his pocket.
Their father and mother brought them into the thickest and most obscure part of the forest, when, stealing away into a by-path, they there left them. Little Thumb was not very uneasy at it, for he thought he could easily find the way again by means of his bread, which he had scattered19 all along as he came; but he was very much surprised when he could not find so much as one crumb20; the birds had come and had eaten it up, every bit.16 They were now in great affliction, for the farther they went the more they were out of their way, and were more and more bewildered in the forest.
Night now came on, and there arose a terribly high wind,17 which made them dreadfully afraid. They fancied they heard on every side of them the howling of wolves coming to eat them up. They scarce dared to speak or turn their heads. After this, it rained very hard, which wetted them to the skin; their feet slipped at every step they took, and they fell into the mire18, whence they got up in a very dirty pickle21; their hands were quite benumbed.
Little Thumb climbed up to the top of a tree,18 to see if he could discover anything; and having turned his head about on every side, he saw at last a glimmering22 light, like that of a candle, but a long way from the forest. He came down, and, when upon the ground, he could see it no more, which grieved him sadly. However, having walked for some time with his brothers toward that side on which he had seen the light, he perceived it again as he came out of the wood.
They came at last to the house where this candle was, not without an abundance of fear: for very often they lost sight of it, which happened every time they came into a bottom. They knocked at the door, and a good woman came and opened it; she asked them what they would have.
Little Thumb told her they were poor children who had been lost in the forest, and desired to lodge23 there for God's sake.
The woman, seeing them so very pretty, began to weep,19 and said to them:
"Alas! poor babies; whither are ye come? Do ye know that this house belongs to a cruel ogre20 who eats up little children?"
"Ah! dear madam," answered Little Thumb (who trembled every joint24 of him, as well as his brothers), "what shall we do? To be sure the wolves of the forest will devour25 us to-night if you refuse us to lie here; and so we would rather the gentleman should eat us; and perhaps he may take pity upon us, especially if you please to beg it of him."
The Ogre's wife, who believed she could conceal26 them from her husband till morning, let them come in, and brought them to warm themselves at a very good fire; for there was a whole sheep upon the spit, roasting for the Ogre's supper.
As they began to be a little warm they heard three or four great raps at the door; this was the Ogre, who had come home. Upon this she hid them under the bed21 and went to open the door. The Ogre presently asked if supper was ready and the wine drawn27, and then sat himself down to table. The sheep was as yet all raw and bloody28; but he liked it the better for that. He sniffed29 about to the right and left, saying:
"I smell fresh meat."22
"What you smell so," said his wife, "must be the calf30 which I have just now killed and flayed31."
"I smell fresh meat, I tell thee once more," replied the Ogre, looking crossly at his wife; "and there is something here which I do not understand."
As he spoke these words he got up from the table and went directly to the bed.
"Ah, ah!" said he; "I see then how thou wouldst cheat me, thou cursed woman; I know not why I do not eat thee up too, but it is well for thee that thou art a tough old carrion32. Here is good game, which comes very quickly to entertain three ogres of my acquaintance who are to pay me a visit in a day or two."
With that he dragged them out from under the bed one by one. The poor children fell upon their knees, and begged his pardon; but they had to do with one of the most cruel ogres in the world, who, far from having any pity on them, had already devoured33 them with his eyes, and told his wife they would be delicate eating23 when tossed up with good savory34 sauce. He then took a great knife, and, coming up to these poor children, whetted35 it upon a great whet-stone which he held in his left hand. He had already taken hold of one of them when his wife said to him:
"Why need you do it now? Is it not time enough to- morrow?"
"Hold your prating," said the Ogre; "they will eat the tenderer.
"But you have so much meat already," replied his wife, you have no occasion; here are a calf, two sheep, and half a hog36."
"That is true," said the Ogre; "give them their belly37 full that they may not fall away, and put them to bed."
The good woman was overjoyed at this, and gave them a good supper; but they were so much afraid they could not eat a bit.24 As for the Ogre, he sat down again to drink, being highly pleased that he had got wherewithal to treat his friends. He drank a dozen glasses more than ordinary, which got up into his head and obliged him to go to bed.
The Ogre had seven daughters, all little children, and these young ogresses had all of them very fine complexions38, because they used to eat fresh meat like their father; but they had little gray eyes, quite round, hooked noses, and very long sharp teeth, standing5 at a good distance from each other. They were not as yet over and above mischievous39, but they promised very fair for it, for they had already bitten little children, that they might suck their blood.25
They had been put to bed early, with every one a crown of gold upon her head. There was in the same chamber40 a bed of the like bigness, and it was into this bed the Ogre's wife put the seven little boys, after which she went to bed to her husband.
Little Thumb, who had observed that the Ogre's daughters had crowns of gold upon their heads, and was afraid lest the Ogre should repent his not killing41 them, got up about midnight, and, taking his brothers' bonnets42 and his own,26 went very softly and put them upon the heads of the seven little ogresses, after having taken off their crowns of gold, which he put upon his own head and his brothers', that the Ogre might take them for his daughters, and his daughters for the little boys whom he wanted to kill.
All this succeeded according to his desire; for, the Ogre waking about midnight, and sorry that he deferred43 to do that till morning which he might have done over-night, threw himself hastily out of bed, and, taking his great knife,
"Let us see," said he, "how our little rogues44 do, and not make two jobs of the matter."
He then went up, groping all the way, into his daughters' chamber, and, coming to the bed where the little boys lay, and who were every soul of them fast asleep, except Little Thumb, who was terribly afraid when he found the Ogre fumbling45 about his head, as he had done about his brothers', the Ogre, feeling the golden crowns, said:
"I should have made a fine piece of work of it, truly; I find I drank too much last night."
Then he went to the bed where the girls lay; and, having found the boys' little bonnets,
"Ah!" said he, "my merry lads, are you there? Let us work as we ought."
And saying these words, without more ado, he cut the throats of all his seven daughters.#p#
Well pleased with what he had done, he went to bed again to his wife. So soon as Little Thumb heard the Ogre snore, he waked his brothers, and bade them all put on their clothes presently and follow him. They stole down softly into the garden, and got over the wall. They kept running about all night, and trembled all the while, without knowing which way they went.
The Ogre, when he awoke, said to his wife: "Go upstairs and dress those young rascals46 who came here last night."
The wife was very much surprised at this goodness of her husband, not dreaming after what manner she should dress them;27 but, thinking that he had ordered her to go and put on their clothes, she went up, and was strangely astonished when she perceived her seven daughters killed, and weltering in their blood.
She fainted away, for this is the first expedient47 almost all women find in such cases. The Ogre, fearing his wife would be too long in doing what he had ordered, went up himself to help her. He was no less amazed than his wife at this frightful48 spectacle.
"Ah! what have I done?" cried he. "The wretches49 shall pay for it, and that instantly."
He threw a pitcher50 of water upon his wife's face, and, having brought her to herself, said:
"Give me quickly my boots of seven leagues,28 that I may go and catch them."
He went out, and, having run over a vast deal of ground, both on this side and that, he came at last into the very road where the poor children were, and not above a hundred paces from their father's house. They espied51 the Ogre, who went at one step from mountain to mountain, and over rivers as easily as the narrowest kennels52. Little Thumb, seeing a hollow rock near the place where they were, made his brothers hide themselves in it, and crowded into it himself, minding always what would become of the Ogre.
The Ogre, who found himself much tired with his long and fruitless journey (for these boots of seven leagues greatly fatigued53 the wearer29), had a great mind to rest himself, and, by chance, went to sit down upon the rock where the little boys had hid themselves. As it was impossible he could be more weary than he was, he fell asleep, and, after reposing54 himself some time, began to snore so frightfully that the poor children were no less afraid of him than when he held up his great knife and was going to cut their throats. Little Thumb was not so much frightened as his brothers,30 and told them that they should run away immediately toward home while the Ogre was asleep so soundly, and that they should not be in any pain about him. They took his advice, and got home presently. Little Thumb came up to the Ogre, pulled off his boots gently and put them on his own legs. The boots were very long and large, but, as they were fairies,31 they had the gift of becoming big and little, according to the legs of those who wore them; so that they fitted his feet and legs as well as if they had been made on purpose for him. He went immediately to the Ogre's house, where he saw his wife crying bitterly for the loss of the Ogre's murdered daughters.
"Your husband," said Little Thumb, "is in very great danger, being taken by a gang of thieves, who have sworn to kill him if he does not give them all his gold and silver. The very moment they held their daggers55 at his throat he perceived me, and desired me to come and tell you the condition he is in, and that you should give me whatsoever he has of value, without retaining any one thing; for otherwise they will kill him without mercy; and, as his case is very pressing, he desired me to make use (you see I have them on32) of his boots, that I might make the more haste and to show you that I do not impose upon you.
The good woman, being sadly frightened, gave him all she had: for this Ogre was a very good husband, though he used to eat up little children. Little Thumb, having thus got all the Ogre's money, came home to his father's house, where he was received with abundance of joy.
There are many people who do not agree in this circumstance,33 and pretend that Little Thumb never robbed the Ogre at all, and that he only thought he might very justly, and with a safe conscience, take off his boots of seven leagues, because he made no other use of them but to run after little children. These folks affirm that they are very well assured of this, and the more as having drunk and eaten often at the fagot-maker's house. They aver56 that when Little Thumb had taken off the Ogre's boots he went to Court, where he was informed that they were very much in pain about a certain army, which was two hundred leagues off, and the success of a battle. He went, say they, to the King, and told him that, if he desired it, he would bring him news from the army before night.
The King promised him a great sum of money upon that condition. Little Thumb was as good as his word, and returned that very same night with the news; and, this first expedition causing him to be known, he got whatever he pleased, for the King paid him very well for carrying his orders to the army. After having for some time carried on the business of a messenger,34 and gained thereby57 great wealth, he went home to his father, where it was impossible to express the joy they were all in at his return. He made the whole family very easy, bought places for his father and brothers, and, by that means, settled them very handsomely in the world, and, in the meantime, made his court to perfection.35
1. Hop58 O' My Thumb/Little Thumb: Although the title "petit poucet" translates more literally59 to "little thumb," the name Hop O' My Thumb seems to have entered the English translation accidentally, perhaps through some translator who may have confused it with the story "Tom Thumb" (Philip and Simborowski, p. 145). According to the OED, the phrase, an abbreviation of "hop on my thumb" made its first appearance in the English language in 1530, making it far older than the actual tale (OED p 784). Philip states that "eight-two versions of this story have been collected form oral storytellers in France…" (Philip and Simborowski, pg. 145).
This tale is Aarne-Thompson type 327B (Thompson, p. 483).
Return to place in story.
2. Fagot-makers: In some versions of the stories, they are woodcutters; in either event, subsistence workers.
Return to place in story.
3. The eldest was but ten years old, and the youngest only seven: The presence of several sets of twins in the family would have been highly significant. In some cultures, twins are regarded as "regrettable accidents of nature" (Biedermann, p. 359) but may as well be an auspicious60 omen10: Beidermann goes on to say that "A pair of male twins…was sometimes viewed as a divine recognition of great piety61" (ibid., p 359).
Return to place in story.
4. Seven children (sons): Besides the number three, seven is one of the most magically-charged numbers occurring in folklore62 and mythology63. The number has numerous astronomical64 associations (the seven planets, the seven days of the moon phase) and various religious overtones (the Seven Pillars of Wisdom, the seven emblems65 of the Buddha); in addition, it is significant in that "In Arabic and other folklore customs, seven had protective power, associated particularly with childbirth" (Tressider, p. 434).
Return to place in story.
5. Always in the wrong: The motif66 of youngest child as simpleton is a common one in fairy tales. His (or her) eventual67 triumph over difficulties can be read as the triumph of the human personality in its quest for maturation and integration68; prior to that, "On the simplest and most direct level, fairy tales in which the hero is the youngest and most inept69 offer the child the consolation70 and hope for the future he needs most" (Bettelheim, p. 104).
Return to place in story.
6. Thou seest plainly that we are not able to keep our children: In his analysis of the story Hansel and Gretel, Bettelheim points out that "…the folk fairy tale conveys and important, though unpleasant, truth: poverty and deprivation71 do not improve man's character, but rather make him…prone to embark72 on evil deeds" (Bettelheim, p.159).
Return to place in story.
7. Lose them in the wood: The forest, often "inhabited by mysterious, usually threatening creatures" is a symbol of "all the dangers with which young people must deal if they are to survive their rites73 of passage and become mature, responsible adults" (Biedermann, p.141).
Return to place in story.
8. She at last consented: This is a reversal of the motif, found, for instance, in Hansel and Gretel in which it is the mother-later the stepmother-who convinces her husband to abandon the children.
Return to place in story.
9. Cry: Bettelheim writes that "There is no greater threat in life than that we will be deserted74, left all alone" (Bettelheim p. 145). By continuing to let his brothers cry, Little Thumb is once again letting his muteness stand in place of his cleverness; thus far, all of his work has been internal. The challenges that come after this point are-even more terrifyingly-contained in the external, harder-to-control world.
Return to place in story.
10. I will lead you home again: Although he is the most maligned75 of the children, Little Thumb is the only one of the brothers who takes any action toward saving themselves.
Return to place in story.
11. Wolves: When they appear in fairy tales, wolves are nearly always menacing. Here, the imaginary wolves area accused of the same crime the actual ogre will try to perpetrate later-that of eating the children whole.
Return to place in story.
12. Who love wives to speak well, but who think those very importunate who are continually doing so: The humor of this passage aside, this exchange may also illustrate77 the parents' failings as adults-their inability to care for their children, to collect on old debts, to achieve a balanced marital78 state. Little Thumb's eventual success in the story also helps to elevate his parents' own station in life, and presumably, contributes to the enhancement of their own maturity79.
Return to place in story.
13. Come in and let me clean thee: In the early part of the story, its elements-the two trips to the woods, the white pebbles, the bread crumbs80 eaten by birds-are exactly as occur in Hansel and Gretel. Here, as in that story, "The children's successful return home does not solve anything" (Bettelheim, p. 160). The family are still poor, Little Thumb has yet to gain his parent's favor, and so they must be brought back into the wood to face their challenges again.
Return to place in story.
14. Carroty: Redheads have a long history of symbolism attached to their hair color, most generally in the category of "demonic associations" (Tresidder, p. 220).
Return to place in story.
15. Lose them again: That the scenario81 is repeated could be read as the child's need to master not only the internal world, but also the external-as much scarier place sometimes, with circumstances and events beyond one's control.
Return to place in story.
16. The birds had come and had eaten it up, every bit: In some fairy tales birds function as helpers, are aligned76 with divine powers (Freiberg, p 23), or grant special powers to those who understand their language (Bettelheim, p. 31). Here, to the misfortune of Little Thumb and his brothers, they function solely82 as the embodiment of indifferent, external nature.
Return to place in story.
17. Terribly high wind: Wind in this passage is not only an atmospheric83 device, lending a depth of detail to the narrative84 which is otherwise lacking in most places, but can also be understood as an ill-omened presence, for winds "are not merely currents of air but also supernatural manifestations85 of divine intentions" (Bettelheim, p. 382).
Return to place in story.
18. Top of a tree: The association of trees with worldly knowledge is an old one, predating even the Biblical era. The benefits (knowledge) that Little Thumb's climb bring unfold only slowly, as at first his glimpse of the light in the forest seems to bring him and his brothers much deeper into danger.
Return to place in story.
19. The woman…began to weep: Nothing about the wife's appearance or demeanor86 suggests that she is monstrous87 herself. On the contrary, her kindness may reflect the loving aspect of the boys' own parents, in contrast with their "ogre-ish" side-the side that would abandon them in the forest.
Return to place in story.
20. Ogre: The word itself was coined by Perrault (OED, p 1205). That the presence of an ogre in the story is no more remarkable88 to the boys than the presence of poverty or breadcrumbs-in other words, the coexistence of the mundane89 with the fantastic-is an example of the principle of one-dimensionality of fairy tales (see Luthi, The European Folktale: Form and Function, for a discussion of this structure).
Return to place in story.
21. Hid them under the bed: According to Stith Thompson, there are "a large number of instances where the hero is helped by the ogre's wife or child (Thompson, p. 343).
Return to place in story.
22. I smell fresh meat: Like the giant in Jack90 and the Beanstalk, this monster is made more terrifying by the supernaturally heightened abilities of his otherwise human senses.
Return to place in story.
23. They would be delicate eating: The fear of being devoured is surely one of a child's most exaggerated fears. By besting the ogre (or the giant in Jack and the Beanstalk, or the witch in Hansel and Gretel) the young hero learns that his worst fears will not, in fact, come true.
Return to place in story.
24. They could not eat a bit: While the boys' lack of appetite is understandable, there is also an ancient and common prohibition91 in folklore, myth and legend against partaking of food while in the supernatural world.
Return to place in story.
25. Suck their blood: This detailed92 description of the ogre young is in sharp contrast to the rest of the tale, in which the appearance of the characters is minimally93 noted94, if at all. Perhaps the daughters' general unsavoryness, along with their nascent95 vampirism, is offered as a way to lessen96 the horror of Little Thumb's assigning them to slaughter97.
Return to place in story.
26. Taking his brothers' bonnets and his own: In the Thompson Motif-Index of Folk Literature, this is K1611, substituted caps cause ogre to kill his own children, of the type, "Deceiver Fall Into Own Trap."
Return to place in story.
27. Not dreaming after what manner she should dress them: The French verb habiller can mean, as in English, to put on clothing or to clean and truss, making this a rare instance in which a pun or double entendre translates successfully across two languages (Larousse, p. 490).
Return to place in story.
28. Boots of seven leagues: The magical objects that appear in fairy tales often have a specific, and limited, function: here, they allow the wearer to cross vast distances quickly, which is an advantage to the ogre in catching98 up with the boys, but they are of no assistance to him beyond that and do not, for instance, aid him in locating the children once he has caught up to them.
Return to place in story.
29. Greatly fatigued the wearer: However, no such difficulties seem to trouble Little Thumb once he has gained possession of the boots.
Return to place in story.
30. Not so frightened as his brothers: At this point in the tale, Little Thumb's transformation99 from simple-seeming to clever and competent is complete. Whereas at the beginning of the story he had to think through the night to devise a plan to save himself and his brothers, here he is able to think on his feet and concocts100 the scheme which will free them from the ogre's threats and garner101 him his fortune, as well.
Return to place in story.
31. Fairies: That is, magical.
Return to place in story.
32. You see I have them on: There is a parallel here between Little Thumb's earlier deception102 using the daughters' crowns and this one, using another article of clothing.
Return to place in story.
33. There are many people who do not agree in this circumstance: This tale seems to contain its own alternate endings. Perhaps this is for the benefit of the listener: if we think Little Thumb gained his wealth through deception we might merely think him clever; if he can be shown to have used the purloined103 boots for the benefit of the whole community, we will think him both clever and deserving, when he returns with great wealth.
Return to place in story.
34. Messenger: Note that the once puny and speechless child has grown into a military worker who makes his fortune in the business of language-messages-and how successfully his personality has matured and developed.
Return to place in story.
35. Made his court to perfection: Bruno Bettelheim states that "No child believes that one day he will become ruler over a kingdom other than the realm of his own life." We leave Little Thumb as he has gained this mastery-and happiness-within that realm, showing how successfully he has integrated the trials and the lessons offered by his story.
Return to place in story.
收听单词发音 
