Bearing a distinctive1 dark-haired, porcelain-skin beauty that lent itself to the tragic2heroines she frequently played, Isabelle Adjani became one of France's biggest and most acclaimed4 stars in the '80s, winning four Césars between 1981 and 1994. Of Algerian and German parentage, Adjani was born in Gennevillier (near Paris) on June 27, 1955. She grew up loving poetry and theater, and began acting5 in amateur stage productions at the age of 12 after winning a school recitation prize.
Two years later, she made her film debut6 in 1970's Le Bougnat while on summer vacation. Her second film, Faustine et le Bel été (1972), was also made while she was still in school. She signed a 20-year contract with the troupe7, which she broke a short time later to pursue her film career, and the resulting controversy8 was be the first of many. In 1974, the young actress appeared in La Gifle and won the prestigious9 Prix Suzanne Bianchetti for Most Promising10 Actress.
She became a bona fide star the following year, after director Truffaut cast her as the tormented11 daughter of Victor Hugo in L'Histoire d'Adèle H./The Story of Adèle H., which earned her an Oscar nomination12 and worldwide acclaim3. Further acclaim greeted Adjani in 1981, when she won the Best Actress award at the Cannes Film Festival for her performances in Possession and Quartet.
With the release of L'été Meurtrier in 1983, Adjani garnered13 both her second César and another helping14 of controversy. Although the film was a box-office hit and created many new fans for the actress, Adjani declined to behave in the manner expected of a movie star; she refused to allow herself to be photographed by the press at Cannes, and avoided interviews and press conferences. Despite her difficulties with the press, Adjani continued to rack up excellent screen portrayals15 and industry awards.
More acclaim and less controversy followed for the actress.She received particular praise for her work in the title role of Camille Claudel (1988), directed by her former longtime companion (and father of one of her sons) Bruno Nuytten; it was also the first film that she produced herself. Adjani won an Oscar nomination and her third César for her performance as the tragic heroine, but she caused more controversy during her César acceptance speech by reading aloud from Salman Rushdie's The Satanic Verses.
In 1986, the anti-immigration group organized a smear16 campaign against her, starting rumors17 that she was dying of AIDS. This actually resulted in newspaper reports of Adjani's death, which caused her to go on national television to prove that she was, in fact, still alive.