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Five
THE EVIDENCE OF THE SWEDISH LADY
M. Bouc was handling the button Mrs. Hubbard had left behind her.
“This button. I cannot understand it. Does it mean that, after all, Pierre Michel is involved insome way?” he said. He paused, then continued, as Poirot did not reply. “What have you to say,my friend?”
“That button, it suggests possibilities,” said Poirot thoughtfully. “Let us interview next theSwedish lady before we discuss the evidence we have heard.”
He sorted through the pile of passports in front of him.
“Ah! here we are. Greta Ohlsson, age forty-nine.” M. Bouc gave directions to the restaurantattendant, and presently the lady with the yellowish-grey bun of hair and the long mild sheep-likeface was ushered1 in. She peered shortsightedly at Poirot through her glasses, but was quite calm.
It transpired2 that she understood and spoke3 French, so that the conversation took place in thatlanguage. Poirot first asked her the questions to which he already knew the answers—her name,age, and address. He then asked her her occupation.
She was, she told him, matron in a missionary4 school near Stamboul. She was a trained nurse.
“You know, of course, of what took place last night, Mademoiselle?”
“Naturally. It is very dreadful. And the American lady tells me that the murderer was actually inher compartment5.”
“I hear, Mademoiselle, that you were the last person to see the murdered man alive?”
“I do not know. It may be so. I opened the door of his compartment by mistake. I was muchashamed. It was a most awkward mistake.”
“You actually saw him?”
“Yes. He was reading a book. I apologized quickly and withdrew.”
“Did he say anything to you?”
“He laughed and said a few words. I—I did not quite catch them.”
“And what did you do after that, Mademoiselle?” asked Poirot, passing from the subjecttactfully.
“Did she ask you whether the communicating door between her compartment and that of M.
Ratchett was bolted?”
“Yes.”
“And was it?”
“Yes.”
“And after that?”
“After that I go back to my own compartment, I take the aspirin and lie down.”
“What time was all this?”
“When I got into bed it was five minutes to eleven, because I look at my watch before I wind itup.”
“Did you go to sleep quickly?”
“Not very quickly. My head got better, but I lay awake some time.”
“Had the train come to a stop before you went to sleep?”
“That would be Vincovci. Now your compartment, Mademoiselle, is this one?” he indicated iton the plan.
“That is so, yes.”
“The lower berth, No. 10.”
“And you had a companion?”
“After the train left Vincovci, did she leave the compartment?”
“No, I am sure she did not.”
“Why are you sure if you were asleep?”
“I sleep very lightly. I am used to waking at a sound. I am sure if she had come down from theberth above I would have awakened11.”
“Did you yourself leave the compartment?”
“Not until this morning.”
“A pale mauve abba such as you buy in the East.”
Poirot nodded. Then he said in a friendly tone:
“Why are you taking this journey? A holiday?”
“Yes, I am going home for a holiday. But first I go to Lausanne to stay with a sister for a weekor so.”
“Perhaps you will be so amiable as to write me down the name and address of your sister?”
“With pleasure.”
She took the paper and pencil he gave her and wrote down the name and address as requested.
“Have you ever been in America, Mademoiselle?”
I much regretted. They are very good, the Americans. They give much money to found schoolsand hospitals. They are very practical.”
“Do you remember hearing of the Armstrong kidnapping case?”
“No, what was that?”
Poirot explained.
Greta Ohlsson was indignant. Her yellow bun of hair quivered with her emotion.
“That there are in the world such evil men! It tries one’s faith. The poor mother. My heart achesfor her.”
Poirot was writing busily on a sheet of paper.
“What is it you write there, my friend?” asked M. Bouc.
“Mon cher, it is my habit to be neat and orderly. I make here a little table of chronologicalevents.”
He finished writing and passed the paper to M. Bouc.
9:15 Train leaves Belgrade.
about 10:00 MacQueen leaves Ratchett.
about 10:40 Greta Ohlsson sees Ratchett (last seen alive). N.B.—He was awake reading a book.
0:10 Train leaves Vincovci (late).
0:30 Train runs into a snowdrift.
0:37 Ratchett’s bell rings. Conductor answers it. Ratchett says, “Ce n’est rien. Je me suis trompé.”
about 1:17 Mrs. Hubbard thinks man is in her carriage. Rings for conductor.
M. Bouc nodded approval.
“That is very clear,” he said.
“There is nothing there that strikes you as at all odd?”
“No, it seems all quite clear and above board. It seems quite plain that the crime was committedat 1:15. The evidence of the watch shows us that, and Mrs. Hubbard’s story fits in. For my mind, Iwill make a guess at the identity of the murderer. I say, my friend, that it is the big Italian. Hecomes from America—from Chicago—and remember an Italian’s weapon is the knife, and hestabs not once but several times.”
“That is true.”
“Without a doubt, that is the solution of the mystery. Doubtless he and this Ratchett were in thiskidnapping business together. Cassetti is an Italian name. In some way Ratchett did on him whatthey call the double-cross. The Italian tracks him down, sends him warning letters first, and finallyrevenges himself upon him in a brutal18 way. It is all quite simple.”
Poirot shook his head doubtfully.
“It is hardly as simple as that, I fear,” he murmured.
“Me, I am convinced it is the truth,” said M. Bouc, becoming more and more enamoured of histheory.
“And what about the valet with the toothache who swears that the Italian never left thecompartment?”
“That is the difficulty.”
Poirot twinkled.
“Yes, it is annoying, that. Unlucky for your theory, and extremely lucky for our Italian friendthat M. Ratchett’s valet should have had the toothache.”
“It will be explained,” said M. Bouc with magnificent certainty.
Poirot shook his head again.
“No, it is hardly so simple as that,” he murmured again.
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