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They all look to the President. Kenny stares, in a private hell, blacker and more complete than anyone should ever know. In that shocked silence each man grapples with failure. The Best and the Brightest could not prevent what must come next. THE PRESIDENT Then we have no choice. (to Taylor) General, issue the warning orders to our forces. They will be prepared to execute the air strikes Monday morning and the follow-on invasion according to the schedule thereafter. I'll need the official release orders on my desk Sunday night. GENERAL TAYLOR Understood, sir. We need to step up the overflights, finalize1 our pilots' target folders in order to be able to carry out the strikes. The President gives Kenny a meaningful look. THE PRESIDENT Permission granted. Taylor exits. Kenny rises, gives the President an almost imperceptible nod, as he prepares to leave in Taylor's wake. THE PRESIDENT (CONT'D) Gentlemen, if anybody's got any great ideas, now's the time... INT. READY ROOM - MACDILL AFB - DAY MAJOR RUDOLPH ANDERSON, 30, wearing the bulky high-altitude pressure suit of a U-2 pilot, takes the phone from one of the Air Force NCOs who are helping2 him suit up. MAJOR ANDERSON This is Major Anderson. INTERCUT CALL TO: INT. KENNY'S OFFICE - CONTINUOUS Kenny, at the other end of the line, stares out the window at the fall day. It seems so mild, so unlike war. And it takes him a beat before he realizes Anderson's on the line. MAJOR ANDERSON (O.S.) Hello? Anyone there? KENNY Major, my name is Kenneth O'Donnell. Special Assistant to the President. Kenny takes a breath, ready to start the shuck-and-jive... but for some reason doesn't. KENNY (CONT'D) Major, a few days ago the President ordered me to help him keep control of what's going on out there. I've been browbeating4 pilots, navy guys left and right to make sure you don't get us here in Washington into trouble. But you know what? We're pretty damn good at getting ourselves into trouble. So instead of riding your ass3, I'm just going to tell you what's going on, and let you figure out how best to help us out up here. INT. READY ROOM - MACDILL AFB - CONTINUOUS Now mostly suited up, Major Anderson takes the phone out of the NCO's hand. He nods, serious. MAJOR ANDERSON Go ahead, sir. INT. KENNY'S OFFICE - CONTINUOUS KENNY Last night, we looked like we were going to cut a deal to get us all out of this mess. Today, the Soviets5 are reneging. We're going to try to salvage6 the situation, but a lot of things are going wrong today. It's making everyone nervous, and it will be very hard to avoid going to war. Don't get shot down, Major. Beyond that, whatever else you can do to help us, I'd really appreciate it. INT. READY ROOM - MACDILL AFB - CONTINUOUS Major Anderson waves his NCOs away. They leave the room. The Major sits on a bench in front of his locker7, thinks. MAJOR ANDERSON When you're up there at 72,000 feet, there's a million things that can go wrong. Is your oxygen mix right? Will your cameras freeze up? Are you leaving contrail... (beat) Those million things are beyond your control, mostly... But you know, when you realize that, there's a kind of peace. You don't need to be in control. You never were in control in the first place. If you're a good man, and your ground crew are good men, it's all you can ask for. And with the grace of G-d, it'll get you through. The young Major smiles to himself, to the phone. MAJOR ANDERSON (CONT'D) You sound like a good man. You'll be all right, Mr. O'Donnell. We believe in you guys down here. (beat) Thanks for the call. INT. KENNY'S OFFICE - CONTINUOUS Kenny nods to himself, deeply touched by the man's faith. KENNY Thank you, Major. INT. READY ROOM - MACDILL AFB - CONTINUOUS With a click, the line goes dead and Anderson walks the phone over to the receiver on the wall. END INTERCUT EXT. RUNWAY - MACDILL AFB - MOMENTS LATER A cart speeds down the tarmac, an NCO behind the wheel. Beside him sits Major Anderson, his helmet on, visor up. He adjusts the mix on the oxygen bottle he's carrying at his feet, breathing in preparation for the high-altitude flight. Up ahead, among a host of service vehicles, sits the U-2. INT. U-2 - DAY Anderson switches over to the U-2's oxygen supply as his NCOs belt him in. They slap him on the helmet for good luck and lower the canopy8 as he brings his engines up to power. MAJOR ANDERSON This is flight G3132, requesting permission for take-off. TOWER VOICE (O.S.) G3132, you've got runway one, you are cleared to proceed to Angels 72. MAJOR ANDERSON Roger that. And he throws the throttle9 forward, SMASH CUT TO: EXT. STRATOSPHERE - MOMENTS LATER The twilight10, in-between, world of the stratosphere. Far below -- clouds, shining blue day. Above, stars and the indigo11 depths of space. We hang in utter silence. A silver glint appears in the center of the horizon. It grows larger. Then larger still. It is the U-2. We barely have time to register the rising hiss12 of its engines, when it FILLS THE SCREEN and BOOMS PAST, leaving us standing13 still. The CAMERA PANS to follow it, but it's already dwindled14 to a speck15, and we feel how fast 600 miles an hour really is. INT. U-2 - CONTINUOUS Anderson's gloved hand reaches for the CAMERA HEATER switches. EXT. U-2 - CONTINUOUS The belly16 door whines17 open like a silver eyelid18, exposing the camera's lense. INT. U-2 - CONTINUOUS Anderson double checks his position, switches to the autopilot for the stability only the machine can provide, then hits the CAMERA ACTIVATE19 button on his joystick. BAMABMABMABMA... The camera begins its photography. Anderson watches the number on the film-remaining counter spool20 down. He stares out the window. The towering clouds below rise up magnificent, glorious... a glimpse of heaven. Rapt, Anderson stares. And then suddenly a BLARING ALARM GOES OFF IN THE COCKPIT. It shocks Anderson around to the controls. It's his MISSILE WARNING LIGHT. Anderson' hands flash out to the joystick, turning off the cameras, disabling autopilot. He banks the U-2 hard. 点击收听单词发音
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