by William Meredith

    Here at the seashore they use the clouds over & over

    again， like the rented animals in A？da.

    In the late morning the land breeze

    turns and now the extras are driving

    all the white elephants the other way.

    What language are the children shouting in？

    He is lying on the beach listening.

    The sand knocks like glass， struck by bare heels.

    He tries to remember snow noise.

    Would powder snow ping like that？

    But you don't lie with your ear to powder snow.

    Why doesn't the girl who takes care

    of the children， a Yale girl without flaw，

    know the difference between lay and lie？

    He tries to remember snow， his season.

    The mind is in charge of things then.

    Summer is for animals， the ocean is erotic，

    all that openness and swaying.

    No matter how often you make love

    in August you're always aware of genitalia，

    your own and the half-naked others'.

    Even with the gracefulest bathers

    you're aware of their kinship with porpoises²，

    mammals disporting³ themselves in a blue element，

    smelling slightly of fish.  Porpoise¹ Hazard

    watches himself awhile， like a blue movie.

    In the other hemisphere now people

    are standing⁴ up， at work at their easels.

    There they think about love at night

    when they take off their serious clothes

    and go to bed sandlessly， under blankets.

    Today the children， his own among them，

    are apparently⁵ shouting fluently in Portuguese⁶，

    using the colonial dialect of Brazil.

    It is just as well， they have all been changed

    into small shrill⁷ marginal animals，

    he would not want to understand them again

    until after Labor⁸ Day.  He just lays there.

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