It's not true that I had nothing on. I had the radio on——Marilyn Monroe， in Time magazine， 1952

    The radio makes me nervous. But there was a time when I loved it， thir- teen and falling asleep to the hum of my black-cased transistor¹， its leather handle looped securely around one wrist. Pulse beat against pulse beat， I rocked on the radio's currents， matching my blood and my moods to the waves of the music， the dee-jays' announcements and even the commercials for "Su-n-n-days at Raceway Park！"

    Murray the K， with his "Swinging Soiree"； wise Roscoe； and Alison Steele， "The Night Bird" with my own name， who came on at eleven， her voice of honey filtered over gravel² as deliberately³ sexy as the new fires catching⁴ hold in my body. I knew them all on an intimate basis. I invited them into my room with a flick⁵ of one finger， or carried them with me——voices that seduced⁶ from sixty miles away， downriver in New York City， brimming with secret knowledge about the meaning of my world.

    Summer afternoons， the radio was girlfriend and boyfriend， dangling⁷ by its strap⁸ from the handlebar of my old Schwinn as I pedaled five miles out to clear， grey Lake Mamanasco， music drifting behind me like rain clouds on the verge⁹ of explosion. Baring my pale skin to the flat， white sun， I lay down， huddled¹⁰ alone on the striped bath towel I had imagined so Californian， suddenly over-exposed in my homemade paisley bikini and waiting， just waiting， for the boys who swam and dove like schools of bright fish oblivious¹¹ to my shy signals.