You think you can handle these things：

    sunlight glinting off a red Jaguar¹

    honking² at the old woman who has snagged

    her shopping cart on a snow rut，

    or the swaggering three-piece suit who steps

    outside the bank， earless to the mossy voice

    at his feet asking for spare change，

    but then the crunch³ of something， nothing really，

    under your shoe——a dirty comb， a pen cap——

    completely undoes⁴ you， and it's too much，

    too much， being balanced， considering

    the complexity⁵ of all sides in one

    syntactically correct sentence.

    All the driver has to say is "Move it，

    Lady，" and you're back with the Quakers

    who trained you to lie still and limp in the street.

    Three days they stepped on your hair，

    ground cigarettes half an inch from your nose，

    while you lay there， trying to be against

    violence， your fists tight as grenades

    and a payload of curses between your teeth，

    O woman， with a mind Picasso

    could have painted， giving you many cheeks，

    each one turned a different way.