by David Petruzelli

    When I was eight months old， Jackson Pollock

    stuck his hand in my crib and let me squeeze

    one of his fingers. He was in my parents' kitchen

    in Hoboken， where we lived for three years；

    he said the new linoleum¹ reminded him

    of one of his paintings. Every time my mother

    tells the story， she always adds， "this is true"；

    but my mother can't tell stories.

    And my father has stopped remembering.

    What never changes is my hand touching² Pollock's

    and who was watching； my parents and my father's

    best friend from childhood—Nick Carone，

    a painter who had brought along his famous pal³

    partly to show off， partly in the hope

    Pollock would notice that the work my parents

    loyally hung in our living room was Nick's.

    But all Pollock cared about， my mother says，

    was how much beer was left， how much money

    Nick could con⁴ my father into giving them，

    until the bottles on the table clinked happily

    and the artists looked at each other

    like lovers who had forgotten our world.

    Then Nick placed his hands on my father's shoulders，

    Pollock called over to my mother，

    who had gone to my crib. Without looking up

    she broke her train of baby talk to say goodbye，

    but watched my father follow them out

    into the hall and stand at the top of the stairs，

    waiting as both men began the long walk down.

    It's at this point my mother always stops to ask，

    Do I remember we lived on the fifth floor？

    And by now I've learned to answer， yes I do.

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