by Elizabeth Bishop¹

    Although it is a cold evening，

    down by one of the fishhouses

    an old man sits netting，

    his net， in the gloaming almost invisible，

    a dark purple-brown，

    and his shuttle worn and polished.

    The air smells so strong of codfish

    it makes one's nose run and one's eyes water.

    The five fishhouses have steeply peaked roofs

    and narrow， cleated gangplanks slant² up

    to storerooms in the gables

    for the wheelbarrows to be pushed up and down on.

    All is silver： the heavy surface of the sea，

    swelling³ slowly as if considering spilling over，

    is opaque⁴， but the silver of the benches，

    the lobster⁵ pots， and masts， scattered⁶

    among the wild jagged rocks，

    is of an apparent translucence⁷

    like the small old buildings with an emerald moss⁸

    growing on their shoreward walls.

    The big fish tubs are completely lined

    with layers of beautiful herring scales

    and the wheelbarrows are similarly plastered

    with creamy iridescent⁹ coats of mail，

    with small iridescent flies crawling on them.

    Up on the little slope behind the houses，

    set in the sparse¹⁰ bright sprinkle of grass，

    is an ancient wooden capstan，

    cracked， with two long bleached¹¹ handles

    and some melancholy¹² stains， like dried blood，

    where the ironwork has rusted¹³.

    The old man accepts a Lucky Strike.

    He was a friend of my grandfather.

    We talk of the decline in the population

    and of codfish and herring

    while he waits for a herring boat to come in.

    There are sequins on his vest and on his thumb.

    He has scraped the scales， the principal beauty，

    from unnumbered fish with that black old knife，

    the blade of which is almost worn away.

    Down at the water's edge， at the place

    where they haul up the boats， up the long ramp¹⁴

    descending¹⁵ into the water， thin silver

    tree trunks are laid horizontally

    across the gray stones， down and down

    at intervals¹⁶ of four or five feet.

    Cold dark deep and absolutely clear，

    element bearable to no mortal，

    to fish and to seals . . . One seal particularly

    I have seen here evening after evening.

    He was curious about me.  He was interested in music；

    like me a believer in total immersion¹⁷，

    so I used to sing him Baptist hymns¹⁸.

    I also sang "A Mighty¹⁹ Fortress²⁰ Is Our God."

    He stood up in the water and regarded me

    steadily²¹， moving his head a little.

    Then he would disappear， then suddenly emerge

    almost in the same spot， with a sort of shrug²²

    as if it were against his better judgment²³.

    Cold dark deep and absolutely clear，

    the clear gray icy water . . . Back， behind us，

    the dignified²⁴ tall firs begin.

    Bluish， associating with their shadows，

    a million Christmas trees stand

    waiting for Christmas.  The water seems suspended

    above the rounded gray and blue-gray stones.

    I have seen it over and over， the same sea， the same，

    slightly， indifferently swinging above the stones，

    icily free above the stones，

    above the stones and then the world.

    If you should dip your hand in，

    your wrist would ache immediately，

    your bones would begin to ache and your hand would burn

    as if the water were a transmutation of fire

    that feeds on stones and burns with a dark gray flame.

    If you tasted it， it would first taste bitter，

    then briny²⁵， then surely burn your tongue.

    It is like what we imagine knowledge to be：

    dark， salt， clear， moving， utterly²⁶ free，

    drawn²⁷ from the cold hard mouth

    of the world， derived²⁸ from the rocky breasts

    forever， flowing and drawn， and since

    our knowledge is historical， flowing， and flown.

上一篇：Alice at Seventeen: Like a Blind Child 下一篇：Alexander Throckmorton